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The Blog : February 2006

Tuesday, February 28, 2006 - 2:30pm
From the New York Post's Page Six:
[F]ans of "Arrested Development" can relax. Word is Showtime not only picked up the canceled Fox show but also ordered 26 more episodes.
TV Squad reports, however, that its source at Showtime says nothing is yet official and that negotiations are continuing. But the mere existence of the Post rumor is great news for fans of the show given the deafening silence on the matter since the series' Fox finale aired quietly nearly three weeks ago. As for the possibility of 26 episodes being ordered, that is an extremely large order for a cable network where a full season typically lasts only 10 to 13 episodes. If true, the deal practically guarantees that the show will live on in syndication for many years, but that kind of syndication guarantee was a significant part of last summer's rumor that Fox had renewed the series for two full seasons. When the official renewal announcement finally came, it was only for one season, and that season-long order was promptly cut in half by the network. Of course, every word of the Post story may be true. After all, given that Fox has yet to "officially" announce the show's cancellation, Showtime may not be allowed to announce any deal publicly... yet. Fingers crossed... [NY Post] Page Six: February 28, 2006 (via TV Squad)
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Tuesday, February 28, 2006 - 10:00am
The big Oscar telecast is just a few days away, which means it's time once again to set myself up for embarrassment by predicting the winners. From the moment the nominations were announced, this looked to be Brokeback Mountain's year. If anything, its momentum has only grown stronger in the last month, making it a clear favorite for Best Picture, Director, and Adapted Screenplay. The only potential spoiler in the Best Picture category is Crash, but don't bet on an upset there. Instead, look for Crash to take home the Original Screenplay award (a category that The 40-Year-Old Virgin would have won in a landslide -- if the writers' guild had bothered to nominate it). In the acting categories, Philip Seymour Hoffman (Capote) and Reese Witherspoon (Walk the Line) should beat out Heath Ledger (Brokeback) and Felicity Huffman (Transamerica), respectively. Expect George Clooney (Syriana) to be rewarded for his spectacular year with a Supporting Actor award, though either Matt Dillon (Crash) or Paul Giamatti (Cinderella Man) could potentially steal this one from him. Rachel Weisz (The Constant Gardener) appears to have the Supporting Actress lead, but she'll have to hold off a late surge by Michelle Williams (Brokeback) to take home a statue. If my predictions hold, Brokeback will be the night's biggest winner with 4 awards. but it'll be trailed closely by Crash, Memoirs of a Geisha, and King Kong, each of which will take home hardware in 3 categories. Now, on with the predictions... Picture: Brokeback Mountain Actress: Reese Witherspoon - Walk the Line Actor: Philip Seymour Hoffman - Capote Supporting Actress: Rachel Weisz - The Constant Gardener Supporting Actor: George Clooney - Syriana Director: Ang Lee - Brokeback Mountain Adapted Screenplay: Brokeback Mountain Original Screenplay: Crash Cinematography: Brokeback Mountain Editing: Crash Art Direction: Memoirs of a Geisha Costume Design: Memoirs of a Geisha Original Score: Memoirs of a Geisha Original Song: "In the Deep" - Crash Makeup: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Sound: King Kong Sound Editing: King Kong Visual Effects: King Kong Animated Feature: Wallace & Gromit in the Curse of the Were-Rabbit Foreign Language Film: Tsotsi Documentary Feature: March of the Penguins Documentary Short: The Life of Kevin Carter Animated Short Film: 9 Live Action Short Film: Six Shooter I'll post my scorecard (and offer lots of excuses) on Monday morning .
Awards, Movies, Oscars
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Saturday, February 25, 2006 - 1:51am

"That show, 'The Amazing Race?' Is that show about white people?"
- Zach Galifianakis

Ever since "Rock Star: INXS" wrapped up its competition last September, my life has been reality show free. That drought will finally end Tuesday night with the return of CBS's "The Amazing Race."

I skipped the last edition of the show, the dreaded "Family" version, because I had little desire to watch parents and children play a watered down version of the game. Thankfully Tuesday will mark a return to normalcy for "Race," with teams once again consisting of just two members.

More importantly, all of the contestants will be adults. Part of me really hopes there are no assholes or religious zealots this time around, but deep down I know that those crazy contestants probably enhance my emotional involvement with the show. After all, if everyone was nice, I wouldn't care as much who won and who lost. But if there have to be jerks, I'd rather they be medium-sized jerks like Colin and Christy rather than over-sized jerks like Jonathan and Victoria.

CBS already has the website up for the new season, including team bios. Rest assured, I'll be posting regularly throughout the show's run.

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Friday, February 24, 2006 - 2:38pm

This information isn't exactly new, but I still thought I'd pass it along...

CNN and Court TV personality Nancy Grace purports to be an advocate for law and order, and she regularly uses her program to express her disgust for anyone even suspected of breaking the law. I wonder if this self-righteous outrage extends to her own indiscretions? Here's what the Georgia Supreme Court had to say in 1997 about Grace's behavior as the prosecuting attorney in a murder trial:

Our review of the record supports Carr's contention that the prosecuting attorney engaged in an extensive pattern of inappropriate and, in some cases, illegal conduct in the course of the trial. Specifically, his allegations about illegal entries into his home are borne out by the record; the trial court, after a hearing on a motion to suppress evidence gathered through illegal use of subpoenas, specifically found that the prosecuting attorney abused the subpoena process by, among other things, inserting false information regarding hearing dates; the record shows that the witness list delivered on the eve of trial contained many names new to the defense...; the transcript of the opening argument shows that the prosecuting attorney repeatedly made references to physical abuse although the trial court had ruled out all evidence of purported abuse...; and the closing argument was replete with references to the prosecuting attorney's beliefs and patent misrepresentations of fact such as the prosecuting attorney's use of a chart falsely indicating that a defense expert had not disagreed with a specific opinion by a State's witness. We conclude that the conduct of the prosecuting attorney in this case demonstrated her disregard of the notions of due process and fairness, and was inexcusable.

Carr v. Georgia, 482 S.E.2d 314, 322 (Ga. 1997) (emphasis added).

The Georgia court is not alone in expressing such an opinion of Grace's prosecutorial behavior. Just last year, the U.S. 11th Circuit Court of Appeals also had harsh words for her, noting her "failure... to fulfill her responsibilities." Stephens v. Hall, 407 F.3d 1195, 1207 (11th Cir. 2005). Specifically, the court pointed out that "Grace, as the prosecutor, failed in her 'duty to learn of any favorable evidence known to others acting on the government's behalf in the case, including the police.' [citation omitted]." Id. at 1204. All in all, according to the court, "Grace 'played fast and loose' with her ethical duties." Id. at 1207.

Gee, I wonder why she's not a prosecutor anymore?

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Thursday, February 16, 2006 - 10:00pm
Last year's Academy Awards ceremony featured a widely criticized "innovation" from producer Gil Cates. For some of the less prestigious categories, all of the nominees were herded on stage en masse for the award presentation, thereby eliminating the eventual winner's long, tedious walk from the cheap seats up to the stage. As anyone with half a brain could have predicted, the plan went over like a lead balloon with many Academy members, thanks to the perception that the affected nominees were being treated like second class citizens. While they might not be as famous as someone like Mike Myers, they're still Oscar nominees, dammit (something Myers will probably never be). Well, you can't say that Cates doesn't listen to his critics, because this year he's decided to ditch the "on-stage nominee" strategy in favor of a slightly more subtle approach. A special block of seats near the stage will be reserved for nominees in the lesser categories. Just before each of these categories is announced, the nominees for that category only will be wrangled into the special seats. When the winner is announced, he or she will have a quick trek to the stage while the losers are quietly ushered back to their real seats in the back of the auditorium. With the prime seats free again, the next group of low end nominees will be shuffled into place in time for its brief shift in the (poorly lit) spotlight. Presumably this game of musical chairs will continue all night. While it's unfortunate that Cates still insists on implementing a caste system for the ceremony, if this is executed properly, it just might work. At the very least, it won't be obvious to casual viewers of the telecast that the manipulation is occurring right under their noses. This kind of subtlety was impossible with last year's on-stage cattle calls. But since Cates only seems to mind when "nobodies" waste ceremony time, why doesn't he just put all the actors and directors in the cheap seats and let the documentarians and art directors sit in the front row? That way, all of the winners in the crappy categories can be on stage in under 5 seconds. Then, when real celebrities like Ang Lee and Philip Seymour Hoffman take 30 seconds to walk to the stage to accept their awards, the extra time won't feel like such a waste. [Cinematical] Cate's brilliant "nominees on stage" plan canned
Awards, Movies, Oscars, TV
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