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I finished The Ruins, by Scott Smith tonight, and what a memorable way to start my year of reading. I can't really say much about the story without giving away too much to those of you who haven't read the novel. Smith is definitely not one to shy away from the inevitabilities of a bleak situation. There was a stretch toward the end of the book's first half when I became impatient because nothing was happening, yet once I reached the midway point suddenly several horrific things happened all at once. A very good book, and as a result I probably won't be taking up gardening anytime soon.We think the ultimate solution is a kiosk in a Blockbuster store and outside of a Blockbuster store that... will be able to distribute that content to your portable device.That's what Blockbuster chief executive James Keyes had to say recently to attendees of a CitiGroup investor conference about the future of video rentals. At a time when Netflix is delivering streaming movies to your computer, Amazon is automatically routing movie rentals to your TiVo, Apple is ready to rent movies through iTunes, and Comcast is perfecting lightning speed downloads of pay-per-view movies to your TV without a cable box, how can Keyes possibly think that consumers will have any interest in going to an in-store kiosk to obtain what they can get cheaply and instantly in their own living rooms? This kind of stubborn adherence to outdated business models is even more inexcusable coming from the head of a company that owns what was once the most promising source for legal movie downloads, Movielink.
As I was researching my Oscar nomination predictions, it occurred to me that the biggest movie story of 2007 was the emergence of not one but TWO stars of the porn comedy The Girl Next Door as acting heavyweights. Emile Hirsch (Into the Wild) and Paul Dano (There Will Be Blood) both had significant roles in that 2004 movie and are now strong contenders to land Oscar nominations.
Does this mean 2008 will be the year of Elisha Cuthbert? God, I hope so.
Since I figure the Golden Globes will have little to no effect on the Oscar race (regardless of the media hype, they never really do), I’ll go ahead and publish my predictions of what films and performers will find themselves with a nomination when Academy Award nods are announced on Tuesday, January 22nd.
Best Picture
Into the Wild
Juno
Michael Clayton
No Country for Old Men
There Will Be Blood
I’m being a bit stubborn here with Juno, as most of the early awards don’t necessarily support its inclusion here. But since the nominations often include some kind of indie darling (a la Little Miss Sunshine), it stays. Julian Schnabel’s The Diving Bell and Butterfly is my most notable omission, with Tim Burton’s Sweeney Todd close behind. If Into the Wild or Juno stumbles, look for one or both of those films to fill the gap. Michael Clayton, There Will Be Blood and No Country for Old Men seem like locks after garnering DGA nominations, and No Country is the clear front runner for now.
Best Actor
George Clooney (Michael Clayton)
Johnny Depp (Sweeney Todd: The Demon Barber of Fleet Street)
Emile Hirsch (Into the Wild)
Daniel Day Lewis (There Will Be Blood)
Viggo Mortensen (Eastern Promises)
As awards season opened, George Clooney took a sizable lead, but as There Will Be Blood slowly opens around the country, Daniel Day Lewis is quietly stealing all the buzz here. Those two actors are the only certainties in this category, though. Viggo Mortensen is long overdue for some recognition, while Emile Hirsch seems poised to break through with a nod. Johnny Depp, of course, is always a threat, and he looks to be Sweeney Todd’s best bet for a nomination. Denzel Washington (American Gangster) and James McAvoy (Atonement) are both lingering on the outside with a chance for a nomination.
Best Actress
Julie Christie (Away from Her)
Marion Cotillard (La Vie en Rose)
Angelina Jolie (A Mighty Heart)
Keira Knightley (Atonement)
Ellen Page (Juno)
Keira Knightley is the only weak link here, with Atonement not quite living up to its early hype. The other four, however, have had locks on nominations for quite some time. Cate Blanchett picked up unexpected nods from both the SAG and the Golden Globes for Elizabeth: The Golden Age, but with that film sinking with critics and audiences, I’m keeping Knightley in the mix. The true dark horse contender is Amy Adams whose likable turn in Enchanted could open the door for her. With several critics awards in the bag already, Julie Christie is the one to beat here.
Best Supporting Actor
Casey Affleck (The Assassination of Jesse James by the Coward Robert Ford)
Javier Bardem (No Country for Old Men)
Phillip Seymour Hoffman (Charlie Wilson’s War)
Hal Holbrook (Into the Wild)
Tom Wilkinson (Michael Clayton)
There’s little doubt that Javier Bardem is going home with a statue this year, friendo. Casey Affleck and Tom Wilkinson are pretty solid here, too. Paul Dano ought to be included for his great performance in There Will Be Blood, but he’s just not getting the love necessary to make this list. Tommy Lee Jones is also a contender, but Bardem is stealing all his No Country thunder. Phillip Seymour Hoffman will likely get a nod here, more so for having a strong year (The Savages, Before the Devil Knows You’re Dead) than for Charlie Wilson’s War in particular, while veteran Hal Holbrook will help Into the Wild quietly rack up several high profile nominations.
Best Supporting Actress
Cate Blanchett (I’m Not There)
Catherine Keener (Into the Wild)
Saoirse Ronan (Atonement)
Amy Ryan (Gone Baby Gone)
Tilda Swinton (Michael Clayton)
With a virtual clean sweep of the critics’ awards, Amy Ryan is far and away the favorite, but here status as a virtual unknown may hurt her come Oscar night. At the very least, however, her nomination is assured. So, too, are nods for Cate Blanchett and Tilda Swinton. Catherine Keener has garnered a lot of late buzz as Into the Wild has come from almost nowhere to become a bona fide contender in several categories. Saoirse Ronan, once a certain nominee, is currently losing ground thanks to snubs from other awards, most notably the SAGs. Like her Atonement co-star Knightley, I’m stubbornly keeping her on my short list because her position originally seemed invincible. But Ruby Dee’s late surge for American Gangster could sweep her in here pretty easily.